Showing posts with label smoke. Show all posts
Showing posts with label smoke. Show all posts

Friday, 5 July 2013

To and from photographs

A few weeks ago I posted an article on photographing smoke not realising how this would go on to influence a totally new experience that I was going to undertake.  I regularly try to do something new, just for fun so I had booked a weekend with Brodick Castle rangers to have a go at wood carving. Never having picked up a wood chisel before it could be amusing (if not dangerous!).
The beginning 
The two day course was run by Marvin  Elliott who lives and works on Arran and has work in both public and private collections around the world.  His little studio sits opposite the harbour in the lovely village of Corrie.
Marvin's studio
The weekend started with a short talk before heading off into the forest, chainsaw in hand (that’s the professional hand of a ranger!) to pick a piece of wood to carve. And this is where the influence of the previous photography started to take effect.  In the wood I looked at, I could envisage the wonderful swirls of smoke and hidden patterns and had a perfect picture in my head of a finished wood carving!
 
Work in progress
Needless to say my skill lacked sadly behind.  I had never tried to carve wood before and I happened to pick a well seasoned piece of beech – a piece of concrete would have been easier to chip at! But I did persevere with pictures of smoke roses, periwinkles, hands and general swirls in my head.  These were modified as the day went on and I envisaged drafts destroying my smoke images as the chisel when where it wanted and wood split and refused to bend to my will.


The end result was not quite how I had imagined it but undeterred I went on to carve a sea serpent, on a slightly softer green piece of wood, which now sits proudly in my garden.


 
Sea serpent in the making
Now resident in my garden
Whereas my inspiration came directly from taking a photograph, I found it fascinating to listen to Alex Boyd this week, whose inspiration led to a whole series of photographs.  Alex is an internationally recognised photography, most known for his Sonnets series see some on this link which features a character called Henning who features in all the images, wearing a white shirt and braces, in remote / iconic locations around Scotland.  Alex was on Arran and gave us an interesting talk on how he developed the idea to take this series, along with the trials and tribulations along the way!  His love of photographic and art history, and influenced by people such as Caspar David Friedrich and Anselm Kiefer, motivated him to take a fresh look at locations around Scotland.  The resulting enigmatic photographs often have a dark hidden message.   Alex is currently exhibiting at the Douglas Hotel – worth popping in for a look. 

Sign outside Marvin's studio

Tuesday, 28 May 2013

A Carbon Suspension


Swirlpool
As I've mentioned in previous blogs I like a photographic challenge and this one fired my imagination after I’d seen a couple of interesting pictures in an article and I couldn't work out how they’d been taken.  So despite the article repeatedly mentioning ‘patience’ as being a key element for the task, I had an hour to spare (actually I was distracted away from what I should have been doing) and my carbon suspension was burning merrily in the corner of the room.

Who's watching over you?
Now it is fair to say that my suspension probably contained a lot of other particulate material as it was a fairly obnoxious incense stick, but it burned slowly and with a consistent stream of pale grey smoke.
 
Rose Garden
Smoke is a fairly complex substance and even Leonardo Da Vinci (c1480) made comment and compared black smoke (carbon based), with white smoke (water based).  I can only presume my grey smoke was a combination of the two.
Periwinkle
And so the challenge began with choice of background, lighting methods and the best camera settings to use.  It was a surprise as to just how fast the smoke moved and there were several obstacles to overcome, not least getting the pattern of smoke where I wanted it, to achieve anything like a good result.
Tubular

Ventilating the room (a total must) created drafts and eddies and allowed excess light in through the doorway; focus points moved and I abandoned the tripod quite quickly; and then there was the need to light the smoke trails. 
The proposal
But a quick hour resulted in a couple of nice piccies – but maybe this is one challenge I will only task my more advanced students with!
Chaos